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DNS 115 Introduction to Dance (A,P). Provides an introduction
to the study of dance as an art form and its relation to other
art forms, and considers the role of dance in history and society.
Includes studio classes in elementary modern dance technique,
fundamentals of movement, elements of rhythm and spatial awareness,
simple composition and improvisational dance studies. Provides
the non-major with an awareness of the aesthetics and creative
processes of dance. 3 Cr. Every Semester.
DNS 125 Dance in America (A,F). Provides a survey of contemporary
dance forms through lecture, movement participation, literature,
film and live performance. Discusses contributions to the art
of dance by major choreographers and dancers, and the rise of
women choreographers. Emphasizes ballet, modern dance, jazz,
tap and ethnic forms. 3 Cr.
DNS 200 Traditional Dance Styles (A,P). Provides a study
of selected traditional dance forms and development of skills
through studio experience. Includes traditional dance styles
such as folk and country dance, African, Afro-Caribbean dance,
jazz, tap and ballet. Covers the artistic and educational uses
of traditional dances, while allowing students to experience the
recreational value of traditional dance styles. DNS 200 can be
repeated, but only three credits may be used toward the 120 credits
required for graduation. 3 Cr. Every Semester. |
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DNS 205 Beginning Technique and Survey of Dance (A). Prerequisite:
Must pass audition prior to enrollment. Provides an introduction
to the Department of Dance and to the many aspects of the dance
profession. Covers modern dance technique, improvisation, and
dance composition assignments. Discusses pertinent topics in
dance. Prerequisite to all other dance major courses. Includes
studies in dance science and somatics. 3 Cr. Fall.
DNS 206 20th-century Dance: Issues and Styles (A,W).
Provides for the study of the origin and evolution of 20th-century
dance; important dance artists and their work; contemporary forms,
trends and styles; a survey of dance literature through film,
and video and written materials. 3 Cr. Fall.
DNS 207 Dance Production (B). Covers all aspects of dance
production including light, stage management, costume, scenery
and properties, and dance design as an art. Requires extensive
evening crew work. While enrolled in DNS 207, students may not
enroll in evening classes or perform in major Hartwell productions
without instructor's permission. 3 Cr. Fall.
DNS 208 Dance Production Practicum (B). A practicum experience
which provides an opportunity to develop an understanding of the
dance production process. Students registered for DNS 208 should
not take night classes or perform in dance concerts. 0 Cr.
Spring. |
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DNS 225 Movement and Self Awareness (A,P). Enables students
to improve movement habits and increase self-awareness through
effective and efficient movement. Develops awareness of postural
and movement characteristics, and observational skills for everyday
movement and dance. Utilizes both movement and touch. 3 Cr.
Every Semester.
DNS 232 African Music and Drumming for Dance (A,P). Cross-listed
with AAS 232. Studies selected traditional musical instruments
for dance accompaniment; and develops performance skills and techniques
through studio and live performance applications. Explores traditional
styles and their social and artistic needs for formal religious
and recreational application. Also explores modern educational
and cultural usages in African schools and colleges. 3 Cr.
Every Semester.
DNS 245, 247, 249 Dance Technique and Theory: Beginning (A).
Prerequisite: Instructor's permission. Entails a series
of beginning-level courses to train the dancer to respond to a
broad range of movement demands. Focuses primarily on modern
dance and ballet technique. Placement in a particular level is
determined by previous training and skill rather than academic
standing. Includes studies in dance science and somatics. 3
Cr. Spring.
DNS 250 Dance in Film (A). Explores the role of dance
in the Hollywood musical commercial film, as well as the realm
of ballet and modern dance non-commercial film. 3 Cr.
DNS 302 Social Forms of the Dance (A). Provides a survey
of three types of dance popular in Western culture: folk/ethnic,
ballroom/couple, and country/square. Emphasizes styling and movement
characteristics, rhythmic structures, historical backgrounds,
and related folkloristic contexts. Develops skills in performing
basic dance components such as polka, waltz, schottische, two-step,
foxtrot, rumba, tango, lindy, etc. Provides opportunities to
put these techniques into practice via required field trips.
3 Cr. Spring. |
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DNS 305 Kinesiology for Dancers (A). Prerequisites:
BIO 221 and DNS 205. Explores the mechanical, physiological
and anatomical requirements of specific dance techniques; limitation
of the body in performing these techniques; and methods of safely
extending the body's capacity for performance. 3 Cr. Spring.
DNS 306 Beginning Dance Composition (A). Prerequisites:
A HREF="#dns205">DNS 205
DNS 312 Historical Dance Forms and Backgrounds in American
Dance (A). Prerequisite: DNS 302. Covers the history
and development of American dance forms, and studies selected
dance forms through performance and observation. 3 Cr.
DNS 313 Movement for Theater (A). Develops dance skills
as related to basic dance forms commonly used in theater productions.
Allows for execution of basic dance forms such as jazz, tap and
modern dance for the theatre; and provides studies in techniques
of movement with emphasis on the performance aspect. 3 Cr.
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DNS 315 Dynamic Balance: Movement Theories (A). Prerequisites
or corequisites: DNS 305, and intermediate or advanced techniques.
Allows for the performance of skills from the work of Bartienieff,
F. Alexander, L. Sweigard and others; relating of kinesiological
principles to the improvement of human movement patterns; significance
of the mind/body relationship; and application of skills and principles
to one's own performance. 3 Cr.
DNS 316 History and Development of Dance (A,W). Surveys
the history of dance as a cultural medium from prehistoric times
to the early years of the 20th century, and the roles of women
and men in dance performance, choreography, literature and education.
Emphasizes dance in Western cultures, non-Western influences
and African-American dance. Has a strong writing component.
3 Cr. Spring.
DNS 330 African Dance II (A). Cross-listed as AAS 330.
Prerequisite: DNS 200 (African). Provides a more detailed
examination of the content of DNS 200. Provides background of
the African dance with historical linkages with dance movement
forms within the Afro-American, Caribbean and Latin American setting;
a general survey of the material of the dance; the structure and
design of African dances in relation to ceremonial and recreational
forms, e.g. linear circular forms, massed and team dances; and
social organization of the dance. 3 Cr.
DNS 339 Survey of Tap Dance II (A). Prerequisite: DNS
200 (Tap). Covers complex rhythmic and technical skills;
familiarity with periods, personalities and specific contributions
involved in the development of tap dance; notation of dance steps
in terms of vocabulary and rhythmic components; and the development
of technique that focuses on rapidity of movement articulation
and complex sequential patterns of movement. 3 Cr.
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DNS 345-350 Dance Technique and Theory: Intermediate (A).
Prerequisites: DNS 205 and instructor's permission.
Entails a series of courses on the intermediate level to train
the dancer's body to respond to a broad range of movement demands.
Focuses primarily on modern dance and ballet technique. Placement
in a particular section is determined by previous training and
skill rather than academic standing. Includes studies in dance
science and somatics. 3 Cr. Every Semester.
DNS 352 Ballet Technique II (A). Prerequisite: DNS
200 (Ballet). Provides exercises performed at the barre;
and center, allegro and adagio combinations and their relationship
to developing physical skill. Covers phrasing, musicality and
performance qualities; and ballet terminology and how to communicate
its use. Provides exercises and performance class. 3 Cr.
DNS 360 Philosophy and Aesthetics of Dance (A). Explores
dance as art, ritual and play; the aesthetic attitude, and specific
aesthetic questions in relation to dance; several philosophical
perspectives in relation to dance; the role of perception in dance;
dance mythology and world-views; and dance criticism. 3 Cr.
DNS 364 Dance Improvisation: Technique and Theory (A).
Prerequisites: DNS 205 and MUS 100. Provides beginning
dance and movement improvisation as a compositional and performance
technique, covers historical background and relationship to other
arts, and develops skill in improvising dance movement and structuring
dance improvisations. 2 Cr. Spring.
DNS 371 Modern Dance Technique I (B). Provides an introduction
to contemporary modern dance technique and theoretical background
including an appreciation of historical and aesthetic perspectives
of modern dance and movement vocabulary. Focuses on acquisition
of basic dance skills, conditioning of the body and increased
movement body awareness in the studio. Requires concert attendance
and discussion of contemporary dance in relation to other dance
and art forms. 3 Cr.
DNS 372 Modern Dance Technique II (B). Prerequisite:
DNS 371 or equivalent. Continues DNS 371 for students not
majoring in dance. Develops motor skills in modern dance, dance
vocabulary, body awareness, study of dynamics and rhythm. Emphasizes
modern dance technique, but also employs movement exploration,
improvisation, basic composition, concert attendance, dance films
and discussion. 3 Cr. |
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DNS 375 Introduction to Laban Movement Analysis (A). Prerequisite:
DNS 205 or instructor's permission. Introduction to Rudolf
Laban's system of movement analysis, with an emphasis on qualitative
description of movement. Sometimes called Effort/Shape, Laban
Movement Analysis provides a structure for intellectual and physical
understanding of the body in motion. Course work includes reading,
observations of live and recorded movement, lectures, and movement
activities. 3 Cr. Spring.
DNS 399 Independent Study. To be defined in consultation
with the instructor-sponsor and in accordance with the procedures
of the Office of Academic Advisement prior to registration. 1-3
Cr.
DNS 424 Dance Repertory and Literature I (A). Prerequisite:
Instructor's permission. Covers the relationship of specific
dance literature to a broad range of dance works and literature.
Enables students to perform works with clarity and feeling; relate
knowledge to obtain goals; and study selected dance works in depth.
3 Cr. |
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DNS 425 Dance Repertory and Literature II (A). Prerequisite:
Instructor's permission. Enables students to become familiar
with a selected body of choreographed works through an in-depth
study of the dances; and perform a learned repertory for public
concerts. 3 Cr. Fall.
DNS 427 Dance Performance Techniques (A). Prerequisites:
Advanced technical work; at least intermediate/advanced technique.
Develops performance skills and awareness of the many components
involved in the artistry of the performing dancer, and covers
various techniques and aesthetics of performance. 3 Cr.
DNS 430 Intermediate Dance Composition (A). Prerequisites:
DNS 205, 306 and MUS 420. Allows students to further develop
skills learned in Beginning Composition, with an emphasis on developing
choreographic skills for duet and small groups. 3 Cr. Spring.
DNS 433 African Dance III (A). Cross-listed as AAS
433. Prerequisite: DNS 330 or instructor's permission. Covers
advanced dance for recreation, and ceremonial dance, including
festival, war, court and ritual forms. Enables students to develop
a mental, emotional and aesthetic awareness of the performance
of an African dance. Examines the role of the African dance in
the service of society in campus and off-campus performances.
3 Cr.
DNS 437 Modern Jazz II (B). Prerequisite: DNS 200 (Jazz)
or instructor's permission. Covers basic jazz styles, rhythms,
artists and dances; jazz idiom; performing style and definition
of movement. Enables students to perceive and coordinate movement
quickly in combined steps, and improvise lengthy jazz sequences
in the jazz idiom. 3 Cr.
DNS 440 Summer Dance Workshop (A). Entails Summer Arts
Festival workshops with guest artists. Includes topics such as
dance technique, composition, repertory or other special topics.
See summer session bulletins for complete descriptions. 2-6
Cr. |
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DNS 445-450 Dance Technique and Theory: Advanced (A).
Prerequisite: DNS 205 and instructor's permission. Entails
a series of courses on the advanced level, designed to train the
dancer's body to respond to a broad range of movement demands.
Focuses on modern dance and ballet technique. Placement in
a particular section is determined by previous training and skill
rather than academic standing. Includes studies in dance science
and somatics. 3 Cr. Every Semester.
DNS 452 Somatics (A). Movement re-education for reducing
stress and pain, improving posture, balance, mobility and self-image.
Processes of somatics derived from Feldenkrais Awareness Through
Movement lessons (ATM). Yoga, body/mind centering, dance
movement improvisations, and hands-on body work. 3 Cr.
DNS 454 Dance Styles (B). Prerequisite: DNS 205 or
instructor's permission. Provides a concentrated study in
a specific dance form (e.g. jazz, tap, ballet I-VI, musical theater)
or a specific modern dance style (e.g. Martha Graham, Doris Humphrey,
Merce Cunningham, Garth Fagan). May be repeated if topics are
different. 1-4 Cr. Every Semester.
DNS 460 Foreign Studies in Dance I (A). Prerequisite:
Junior or senior status and departmental approval. Explores
dance, its uses and forms in another culture. Requires dance
performance activities and academic study associated with dance
at an institution in another country. The Department of Dance
has exchange programs with England, Ghana, and Jamaica. 3-15
Cr. Every Semester.
DNS 461 Labanotation I (A). Prerequisites: DNS 205,
FA 301, and DNS 302. Presents the basic principles of movement
developed by Rudolf von Laban. Allows students to develop skills
in perceiving and analyzing movement, and in notating and reading
back simple movement patterns. 3 Cr.
DNS 462 Lighting for Dance (B). Prerequisite: Instructor's
permission. Covers lighting design, techniques, lighting
production; relationships among designer, choreographer and other
production personnel; and stage lighting as a spatial and temporal
art form. Requires students to conceive, design and supervise
lighting of a major dance concert. 3 Cr.
DNS 463 Advanced Production and Design (B). Prerequisite:
DNS 207. Concentrates on theatrical elements of dance production
and design. Allows students to research, render, and in some
cases, execute studio design of scenery, costumes, properties
and make-up salient to dance. 3 Cr.
DNS 470 Dance/Movement Therapy I, Foundations and Principles
of Dance Therapy (A). Compares and contrasts approaches to
dance therapy; examines their relationships to dance, other expressive
therapies, counseling and psychology; and studies clinical applications
for selected populations. Meets the requirements of the American
Dance Therapy Association's education and training requirements
for the Dance Therapy Registration level of credentialing. 3
Cr.
DNS 471 Dance/Movement Therapy II, Dance Movement Therapy and
Practice (A). Prerequisite: DNS 470. Compares and
contrasts concepts of authentic movement, relates cultural factors
and psychological theories to dance/movement therapy, studies
the impact of nonverbal communication on human interaction, discusses
creativity as therapeutic process, and examines individual and
group dance therapy for selected populations. Meets the requirements
of the American Dance Therapy Association's education and training
requirements for the Dance Therapy Registration level of credentialing.
3 Cr.
DNS 472 Dance/Movement Therapy III, Special Problems in Dance/Movement
Therapy (A). Prerequisite: DNS 471. Focuses on theoretical
issues such as the identification of one's conceptual framework,
the role of the dance therapist, assessment, treatment planning,
the relationship between the verbal and the nonverbal, somatic
countertransference, creativity as therapeutic process, and clinical
applications for selected populations including couples, the eating
disordered, and borderline personalities. Meets the requirements
of the American Dance Therapy Association's education and training
requirements for the Dance Therapy Registration level of credentialing.
3 Cr.
DNS 473 Laban Movement Analysis Workshop (A). Explores
how the body moves along its many pathways, and how the actions
express continually changing states of feeling and thought. Studies
Laban's principles of space, harmony and effort to bring clarity
to the observation and understanding of these changes, and how
his language describes and illuminates the body's movement in
space. Offered through the Laban/Bartenieff Institute of Movement
Studies. Requires an additional fee. 1 Cr.
DNS 474 Bartenieff Fundamentals Workshop (A). Helps develop
functional ease and reduce the physical stress of daily activity.
Explores the fundamentals developed by Irmgard Bartenieff, a
physical and body therapist and a pioneer in the development of
dance therapy. Requires no previous movement experience while
offering a means to increase the expression and performance range
of the dancer or athlete. Offered through the Laban/Bartenieff
Institute of Movement Studies. Requires an additional fee. 1
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DNS 475 Anatomy and Kinesiology Workshop (A). Explores
ways of enhancing the effectiveness of an exercise to gain strength,
endurance, flexibility, speed, and coordination of muscles. Reviews
the biomechanical design of human skeletal system, its ability
to support and transfer weight, and the potential motion at each
major joint. Offered through Laban/Bartenieff Institute of Movement
Studies. Requires an additional fee. 1 Cr.
DNS 480 Dance Science: Injury Prevention (A). Prerequisites:
BIO 221 and DNS 305. Examines various dance training techniques,
along with current information on injury prevention. Gives both
the dancer and the trainer/kineseologist/exercise physiologist
an opportunity to understand the special demands of the dance
discipline on the body and its health. Includes weight and resistance
training, motor imaging, proprioception, nutrition, skill repetition
and the strength/flexibility ratio. 3 Cr.
DNS 481 Dance in Secondary Schools I (A). Prerequisite:
Instructor's permission. Enables students to outline goals
for a semester, construct lesson plans, and teach and analyze
technique classes. Field practicum. 3 Cr. Fall.
DNS 482 Dance in Secondary Schools II. Prerequisite:
Instructor's permission. Covers class management/organization.
Allows students to develop course outlines and unit and lesson
plans, and requires students to teach dance skills and conduct
simple lectures and discussion. 3 Cr. Spring.
DNS 483 Children's Dance I (A). Covers basic movement
skills applied to creative dance with children, especially in
the classroom; pertinent resources for children's dances; and
how to work effectively with dancers and dance specialists. Evening
class. 3 Cr. Fall.
DNS 484 Children's Dance II (B). Prerequisite: Instructor's
permission. Provides a basic orientation to teaching creative
dance to young children; and covers the use of various approaches,
such as problem solving, teacher-directed method, and invention.
Allows students to develop curricular materials and evaluate
procedures. Conducted with children during an after-school program.
3 Cr. Spring. |
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DNS 485 Dance Education Practicum. Prerequisites: Grades
of "C" or better in all dance BFA requirements and DNS
481, 482, 483, and 484 and required K-12 school observation.
A one semester student teaching assignment which prepares the
dance artist/educator for a specialist teaching position in kindergarten
through 12th grade school settings. Under college and master
teacher school supervision, full participation as a member of
the school's professional team is expected, including teacher/parent
communication and extracurricular activities. Focus is on planning,
preparing, presenting, and assessing dance in the curriculum.
0 Cr.
DNS 489-491 Sankofa (A). Prerequisite: Instructor's
permission. African dance and music performance ensemble;
provides an opportunity for study, performance and touring for
intermediate and advanced students of African dance. 3 Cr.
Every Semester. |
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DNS 495 Senior Seminar in Dance (A). Prerequisite:
Junior or senior dance major. Prepares students for transition
from student life to the professional world. Includes self-evaluation,
finishing unrealized goals as a student at SUNY Brockport, exploring
career options, writing a resume, building a portfolio and pursuing
job interviews. Involves discussions about the artist in society,
the business of dance, companies and careers and the funding and
promotion of dance. 3 Cr. Fall.
DNS 496-498 DANSCORE (A). Prerequisite: Instructor's
permission. Modern dance performance ensemble; provides an
opportunity for study, performance and touring to intermediate
and advanced modern dance students. 3 Cr. Every Semester.
DNS 499 Independent Study. To be defined in consultation
with the instructor-sponsor and in accordance with the procedures
of the Office of Academic Advisement prior to registration. 1-6
Cr.
MUS 100 Fundamentals of Music for Dance (A). Provides
a study of rhythm and elements of music. Explores the significance
of "time" in movements and its importance to rhythmic
phrasing in music and dance. 2 Cr. Fall.
MUS 201 Computers and Music (A,T). Prerequisite: MUS 100.
Provides an introduction to computer basics and hands-on
experience with music software. Explores computers as used by
musicians and artists. Emphasizes sound analysis and digital
music production. Surveys electronic and computer music. 3
Cr.
MUS 300 Music for Dance (A). Prerequisite: MUS 100.
Emphasizes the correlation between rhythm and dynamics in music
and movement, and rhythmic notation in relation to dance. Studies
musical techniques needed to provide percussion accompaniment
for dance movement. Provides some analysis of simple musical
forms, and an introduction to music resources for the dance.
3 Cr. Spring.
MUS 420 Music Literature for Dance (A). Prerequisites:
MUS 100 and 300. Provides a study of musical literature with
particular reference to interrelationships between dance and music;
a historical survey; selection of music for dance; and Western
classical, jazz, and world music resources. 3 Cr. Fall.
MUS 451 Accompaniment for Dance (A). Prerequisites:
Instructor's permission, proficiency on a musical instrument,
and ability to read music. Covers the art of dance accompaniment
and improvisation, and explores a variety of techniques. 3
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MUS 455 Music Resources for Dance (B). Prerequisite:
MUS 300. Explores music materials and resources for use in
choreography; techniques of taping and creating taped collages
for production; and concerns for original scores. Analyzes musical
forms and rhythmic structure; and historical styles of music.
3 Cr.
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